Adobe Illustrator CS2 @work : Projects You Can Use on the Job (Paperback)

Self-paced, self-guided instruction is all well and good, but at the end of the
day, most people could use a little feedback–especially when they’re ready to
build a design portfolio and hit the job market. Not to worry, this book provides
actual instructor feedback along with the self-paced, individualized instruction
in Photoshop and Illustrator that designers need. Written by the faculty of New
York-based, accredited online design school Sessions.edu, the book uses the school’s
trademark project-based curriculum to teach essential design concepts with Photoshop
and Illustrator. After a brief intro to the world of graphic design, Sessions
instructors provide quick “refresher course” chapters on the two programs. Then,
armed with Photoshop and Illustrator basics, readers tackle a series of projects
that stretch their imagination and creative muscles involving logo design, magazine
layouts, illustrations, poster design, digital imaging, book cover design, packaging
design, and more. Best of all, readers are encouraged to post their work for expert
feedback from Session.edu faculty on “Studio Sessions,” the custom Web site created
for this book.
Don’t let your pictures sit inside your digital camera! Show them off, with the help of Easy Adobe Photoshop Elements 4.
This steps-with-pictures, task-oriented book leverages the built-in
ease of Adobe Photoshop Elements�4 by showing you how to get the
impressive results you want most, with no fuss and bother. You’ll learn
how to create photo album and slide shows using other readily available
applications, such as Photoshop Album, Micro Research 3-D Album, and
Microsoft PowerPoint. Full-color pictures will illustrate for you
essential steps, captivating photos, and exactly how to perform each
task. You will be quickly and easily be able to edit and share your
photos with the visual, learn-by-doing approach taken in Easy Adobe Photoshop Elements�4.
For both Mac and Windows PC users, Photoshop CS2 is the market leader
and industry standard for commercial bitmap image manipulation. Also
known as the “digital dark room,” Photoshop is the unparalleled tool of
choice among graphics professionals and hobby photographers alike.
Written by 20-year photo retouching veteran Glenn Honiball, Commercial
Photoshop Retouching: In the Studio is the only book to deliver advice
for the photographer and artist working with Photoshop CS 2 in a real
world commercial environment. Honiball offers incomparable technical
and artistic guidance for professionals, graphic artists,
photographers, and just about anyone involved in creating and
manipulating digital images. Production artists face unrealistically
tight deadlines and heavy workloads that leave little time for trial
and error. Photo retouchers need practical, immediate Photoshop
solutions to help them produce quality images with minimal effort and
in a short amount of time. All the tools, techniques, and skills you
need to achieve consistent, professional results with Photoshop CS2 can
be found in Commercial Photoshop Retouching: In the Studio. Anyone with
intermediate-to-advanced Photoshop skills–whether you want to explore
photo retouching personally or as an imaging professional or
student–can use Commercial Photoshop Retouching: In the Studio to
produce sharp, expert, extraordinary photos that don’t look retouched.
Under Honibell’s seasoned direction, you’ll be able to tackle your
greatest photo-retouching challenges with ease, precision and
efficiency. He guides you through Photoshop CS2’s new and innovative
features; explains advanced capabilities; shows you how to adapt and
custom-fit the software to meet your needs; offers time-saving tips for
accelerating your workflow; and delivers advice and inspiration for
exercising your own creative genius. Commercial Photoshop Retouching:
In the Studio is the ideal resource for any digital artist who wants to
develop and perfect professional-level retouching using Photoshop CS 2.
With this book, you will bring photo correction and manipulation to a
whole new level.
Using techniques tested and honed in her five-day intensive color
workshops, Edwards provides a basic understanding of how to see color,
how to use it, and � for those involved in art, painting, or design �
how to mix and combine hues. Including more than 125 color images and
exercises that move from simple to challenging, this volume explains
how to:
While we recognize and treasure the beautiful use of color, reproducing
what we see can be a challenge. Accessibly unweaving color’s
complexity, this must-have primer is destined to be an instant classic.
If you learn best by doing, and what you�re intent on doing is create stunning Web graphics with Macromedia Fireworks 8, this is the place to turn. The best-selling tutorial book on Fireworks has been completely updated to get you hands-on fast with all of the program�s most important features, including its newest: additional blend modes, support for special characters and AutoShape properties, workflow improvements, and more. Through project-based lessons that equal 16 to 20 hours of instruction, you�ll cover the entire process of creating Web graphics with Fireworks 8�from creating images to optimizing and exporting them. Simple step-by-step instructions, loads of screen
shots, and a CD with media files and a trial version of the program will have you creating rollovers, pop-ups, and more in no time. Whether you�re new to the world of Fireworks graphics or a veteran user eager to tap the power of the latest version, you�ll find the trusted, Macromedia-certified instruction you need in these pages.
Over 300 productivity-enhancing secrets you need to know about
Illustrator CS. Fully illustrated, stand-alone tips reveal the hidden
features and productivity-enhancing tricks that allow you to accomplish
more in less time with Illustrator CS2. Easy-to-browse format lets you
find and apply information instantly and includes many tips and
techniques that focus on Illustrator CS2�s new features: Converting
bitmaps into vectors with Live Trace, Painting with the new Live Paint
tool, creating Custom Workspaces, and more.
Do you spend too much time doing repetitive production tasks such as
placing and replacing images, resizing them, dragging them from one
document to another, and preparing images for printing instead of being
creative? Do you use Adobe Photoshop CS2 and have some experience with
scripting? You’re in luck. Since Adobe Creative Suite 2 was created
with built-in support for scripting, virtually every repetitive or
time-consuming task that creative professionals have to do in the Adobe
Creative Suite can be streamlined with the help of a script. This book
describes how to use JavaScript to manipulate and extend Adobe
Photoshop within Adobe Creative Suite 2, and provides reference
information for the JavaScript objects, properties, and functions
defined by Adobe’s applications. Now available in print for the first
time, this scripting reference provides the information experienced
JavaScript users need to create custom scripts for Photoshop, whether
you’re looking to automate Camera Raw options and settings,
automatically resize and export large batches of images into your
page-layout application, or want to automatically add metadata, like a
copyright notice, to selected image files. These are just a few
examples of how you can use Photoshop CS2’s built-in scripting
capabilities to save you from hours of repetitive tasks.
Can you find your digital photographs when you need them, or do you spend more time rifling through your hard drive and file cabinets than you'd like? Do you have a system for assigning and tracking content data on your photos? If you make a living as a photographer, do your images bear your copyright and contact information, or do they circulate in the marketplace unprotected?
As professional photographer and author Peter Krogh sees it, "your DAM system is fundamental to the way your images are known, both to you and to everyone else." DAM, or Digital Asset Management, in the world of digital photography refers to every part of the process that follows the taking of the picture, through final output and permanent storage. Anyone who shoots, scans or stores digital photographs, is practicing some form of digital asset management. Unfortunately, most of us don't yet know how to manage our files (and our time) very systematically, or efficiently.
In The DAM Book: Digital Asset Management for Photographers, Krogh brings clarity to the often overwhelming task of managing digital photographs, with a solid plan and practical advice for fellow photographers on how to file, find, protect and re-use photographs. Following a thorough overview of the DAM system and de-mystifications of metadata and digital archiving, Krogh focuses on best practices for digital photographers using Adobe Photoshop CS2. He explains how to use Adobe Bridge, the new CS2 navigational software that replaces the File Browser introduced in Photoshop 7, with full details on integrating Bridge, Camera Raw and Digital Asset Management software.
Adobe InDesign CS2 is a powerful, but
complicated, page layout technology. Sure, learning how to use the
various tools and techniques is important, but what you really need and
want to know is how to put those tools and techniques to use to
complete projects at work. That’s where Adobe InDesign CS2 @ Work: Projects You Can Use on the Job
comes into play. The InDesign tools and basics are introduced to you in
the first three chapters. After that, you will accomplish a variety of
real-world job tasks with detailed instructions that allow for
personalization. The projects you will learn to tackle include:
Tips, tricks and notes provide you with the information that you need to carry over what you learn in Adobe InDesign CS2 @ Work: Projects You Can Use on the Job to your job. Put your knowledge and talents to work!
�
�“I’m
really impressed with Adobe InDesign @work: Projects You Can Use on the
Job. Cate Indiano found just the right balance of easy step-by-step
instructions and pertinent background information, including workflow,
project management, and production issues. The example layouts and
files are well-designed and provide real-world context for the entire
book. You won’t find any fluff here - just a combination of clear and
purposeful text and screenshots.”