A Computational Approach to Digital Chinese Painting and Calligraphy

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Dialogue Editing for Motion Pictures: A Guide to the Invisible Art

Review
“The premise of the book is true: it is a necessary but usually overlooked part of film sound.” - Larry Blake, supervising sound editor/re-recording mixer: films include “Traffic”, “Erin Brockovich”, “Ocean’s Eleven”, etc.
“John Purcell’s excellent book is a concise and detailed text on the aesthetic and techniques of dialogue editing in the digital age. He brings a wealth of knowledge of the entire production sound arc and how dialogue editing significantly contributes to the process. Any filmmaker who follows Mr. Purcell’s methods will have gone a long way to producing a very polished and professional sound track for their film.” - Bill Dannevik, Professor of Digital Media, USC Cinema-TV/Savannah College of Art & Design and Technical Manager of World Wide Dubbing, Disney Character Voices International

“John Purcell’s book is a comprehensive and detailed guide to the arcane craft of dialogue editing. Both instructors and students will benefit from his thoughtful examination of each stage of the post production sound process as it relates to this crucial component of the soundtrack.” - Harry M. Cheney MPSE - Supervising Sound Editor - Associate Professor; Chapman University Dodge College of Film and Media Arts

“This is a great subject matter and I and my colleagues would have loved to have had a book like this 10 years ago…there is very little information on the specifics of dialogue editing available.” - Todd Hooker, film editor

“I am very happy to endorse this book. I have not previously seen a book that has realistically dealt with the professional responsibilities of a dialog editor. Dialog is the focus of a successful soundtrack. It not only contains the majority of the intellectual arch of the film but the timbers and tempos of the actor’s voices are instrumental in establishing the critical relationship between the audience and the viewer. Without the Dialog editor’s well-prepared session it is difficult and costly, (in terms of time spent in the dub) if not impossible, for the mixer to do what is necessary to establish or enhance that relationship. I look forward to being able to use this book as a required reading for my students.” -Professor John Sisti, Savannah College of Arts and Design/Department of Sound Design. Formerly with Columbia Pictures/Sony Entertainment Supervising Sound Editor and Dialog Editor “Mad About You”

“Purcell has written this book for people who need to edit production sound for narrative films but were ‘never taught how to do it.’ Unlike music and effects editing, dialogue editing operates under a different set of rules. There are certain fundamental procedures that are absolutely essential to know and, unless one has been fortunate enough to work with an experienced editor in different situations, the information is not available. Purcell’s book will fill in the gaps.” - Editor’s Guild Magazine

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Mastering InDesign CS3 for Print Design and Production

Product Description
Mastering InDesign for Print Design and Production shows how experienced professionals with deadlines and billable hours use InDesign efficiently and effectively. Through the case studies and interviews, readers will find inspired to look beyond the over-emphasized basic features and into the depths of InDesign’s utility for real-world print design.

Most InDesign books are written for beginners, and experienced users are frustrated by them. When you already know how to make, fill, and thread a text box, the entire first half of most InDesign books is useless. But this one doesn’t dwell on the basics. Mastering InDesign for Print Design and Production fulfills the promise of the Mastering series, to provide real-world skills to professionals and students. Like all Mastering books, this one includes:

• A “by pros for pros” approach: The author is an active professional working in the field of graphic arts, layout, and design, writing for professionals who want to improve their skills or learn new skills.
• Real-world examples: Running throughout the text are examples of how the various skills are applied in real scenarios, described throughout the book in the form of examples and case studies from the author’s own design and consulting work, as well as interviews with other designers using InDesign on the job.
• Skill-based teaching and hands-on exercises

Although the book has a comprehensive glossary, page one begins right away speaking to the core market—print professionals—in industry terms about industry challenges. This immediately lets experienced InDesign users know the book is about them. The approach is humorous, making the digestion and retention of complicated information easier for the reader through quips, anecdotes, and design- and print-geek humor. But at all times the book is true to its mission: Helping a professional do their job in InDesign without frustration, confusion, or aesthetic compromise.

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Introducing Maya 2009

Product Description
If you’re new to Maya, the industry-leading 3D animation and effects software, Introducing Maya includes step-by-step tutorials and easy-to-follow explanations to teach you the basics and nuances of this complex software. Whether you’re a student or a hobbyist, you can learn all about the Maya interface and the fundamentals of modeling, texturing, animating and visual effects with realistic examples. If you’re new to 3D animation or transitioning from another 3D application, this book will provide you with the tools you need to become proficient at Maya.

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