This is the guide to hacking Adobe`s popular graphics software, written by an Adobe Certified professional photographer and designer. This is serious, down and dirty, tweaking - blowing away the default settings, customizing appearance, optimizing performance, customizing tools and offering readers total control over Photoshop. With these 300+ hacks, readers will find their work with Photoshop fast & easy.

_http://rapidshare.de/files/18850815/SSHPCS2.rar.html

Format: PDF
Size: 21,9 MB

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If AutoCAD and AutoCAD LT can do it, you can do it too …

Are you trying AutoCAD for the first time? Upgrading from an earlier
version? Switching from another CAD software? Everything you need to
know is right here. If you’re new to AutoCAD, the Quick Start chapter
gets you drawing right away. If you’re experienced, go right to the new
features of 2006. Each of the book’s eight sections focuses on a key
element of this complex, powerful program, making it easy to find what
you need now and down the road.
Inside, you’ll find complete coverage of AutoCAD and AutoCAD LT
* Learn the basics of using commands, specifying coordinates, and setting up a drawing
* Draw and edit in 2D with all of AutoCAD’s objects, including the new dynamic blocks
* Create and present 3D drawings
* Set standards, organize with sheet sets, share data between applications, and put your drawings on the Internet
* Customize commands, menus, toolbars, linetypes, hatches, and fonts
* Create scripts, or venture into programming with AutoLISP(r) and VBA

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Designing a good interface isn’t easy. Users demand software that is
well-behaved, good-looking, and easy to use. Your clients or managers
demand originality and a short time to market. Your UI technology –
Web applications, desktop software, even mobile devices — may give you
the tools you need, but little guidance on how to use them well.

UI designers over the years have refined the art of interface design,
evolving many best practices and reusable ideas. If you learn these,
and understand why the best user interfaces work so well, you too can
design engaging and usable interfaces with less guesswork and more
confidence.

Designing Interfaces captures those best
practices as design patterns — solutions to common design problems,
tailored to the situation at hand. Each pattern contains practical
advice that you can put to use immediately, plus a variety of examples
illustrated in full color. You’ll get recommendations, design
alternatives, and warnings on when not to use them.

Each
chapter’s introduction describes key design concepts that are often
misunderstood, such as affordances, visual hierarchy, navigational
distance, and the use of color. These give you a deeper understanding
of why the patterns work, and how to apply them with more insight.

A book can’t design an interface for you — no foolproof design process is given here — but Designing Interfaces
does give you concrete ideas that you can mix and recombine as you see
fit. Experienced designers can use it as a sourcebook of ideas. Novice
designers will find a roadmap to the world of interface and interaction
design, with enough guidance to start using these patterns immediately.

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Self-paced, self-guided instruction is all well and good, but at the end of the
day, most people could use a little feedback–especially when they’re ready to
build a design portfolio and hit the job market. Not to worry, this book provides
actual instructor feedback along with the self-paced, individualized instruction
in Photoshop and Illustrator that designers need. Written by the faculty of New
York-based, accredited online design school Sessions.edu, the book uses the school’s
trademark project-based curriculum to teach essential design concepts with Photoshop
and Illustrator. After a brief intro to the world of graphic design, Sessions
instructors provide quick “refresher course” chapters on the two programs. Then,
armed with Photoshop and Illustrator basics, readers tackle a series of projects
that stretch their imagination and creative muscles involving logo design, magazine
layouts, illustrations, poster design, digital imaging, book cover design, packaging
design, and more. Best of all, readers are encouraged to post their work for expert
feedback from Session.edu faculty on “Studio Sessions,” the custom Web site created
for this book.

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Don’t let your pictures sit inside your digital camera! Show them off, with the help of Easy Adobe Photoshop Elements 4.
This steps-with-pictures, task-oriented book leverages the built-in
ease of Adobe Photoshop Elements�4 by showing you how to get the
impressive results you want most, with no fuss and bother. You’ll learn
how to create photo album and slide shows using other readily available
applications, such as Photoshop Album, Micro Research 3-D Album, and
Microsoft PowerPoint. Full-color pictures will illustrate for you
essential steps, captivating photos, and exactly how to perform each
task. You will be quickly and easily be able to edit and share your
photos with the visual, learn-by-doing approach taken in Easy Adobe Photoshop Elements�4.

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For both Mac and Windows PC users, Photoshop CS2 is the market leader
and industry standard for commercial bitmap image manipulation. Also
known as the “digital dark room,” Photoshop is the unparalleled tool of
choice among graphics professionals and hobby photographers alike.
Written by 20-year photo retouching veteran Glenn Honiball, Commercial
Photoshop Retouching: In the Studio is the only book to deliver advice
for the photographer and artist working with Photoshop CS 2 in a real
world commercial environment. Honiball offers incomparable technical
and artistic guidance for professionals, graphic artists,
photographers, and just about anyone involved in creating and
manipulating digital images. Production artists face unrealistically
tight deadlines and heavy workloads that leave little time for trial
and error. Photo retouchers need practical, immediate Photoshop
solutions to help them produce quality images with minimal effort and
in a short amount of time. All the tools, techniques, and skills you
need to achieve consistent, professional results with Photoshop CS2 can
be found in Commercial Photoshop Retouching: In the Studio. Anyone with
intermediate-to-advanced Photoshop skills–whether you want to explore
photo retouching personally or as an imaging professional or
student–can use Commercial Photoshop Retouching: In the Studio to
produce sharp, expert, extraordinary photos that don’t look retouched.
Under Honibell’s seasoned direction, you’ll be able to tackle your
greatest photo-retouching challenges with ease, precision and
efficiency. He guides you through Photoshop CS2’s new and innovative
features; explains advanced capabilities; shows you how to adapt and
custom-fit the software to meet your needs; offers time-saving tips for
accelerating your workflow; and delivers advice and inspiration for
exercising your own creative genius. Commercial Photoshop Retouching:
In the Studio is the ideal resource for any digital artist who wants to
develop and perfect professional-level retouching using Photoshop CS 2.
With this book, you will bring photo correction and manipulation to a
whole new level.

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Using techniques tested and honed in her five-day intensive color
workshops, Edwards provides a basic understanding of how to see color,
how to use it, and � for those involved in art, painting, or design �
how to mix and combine hues. Including more than 125 color images and
exercises that move from simple to challenging, this volume explains
how to:

• see what is really there rather than what you “know” in your mind about colored objects
• perceive how light affects color, and how colors affect one another
• manipulate hue, value, and intensity of color and transform colors into their opposites
• balance color in still-life, landscape, figure, and portrait painting
• understand the psychology of color
• harmonize color in your surroundings

While we recognize and treasure the beautiful use of color, reproducing
what we see can be a challenge. Accessibly unweaving color’s
complexity, this must-have primer is destined to be an instant classic.

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If you learn best by doing, and what you�re intent on doing is create stunning Web graphics with Macromedia Fireworks 8, this is the place to turn. The best-selling tutorial book on Fireworks has been completely updated to get you hands-on fast with all of the program�s most important features, including its newest: additional blend modes, support for special characters and AutoShape properties, workflow improvements, and more. Through project-based lessons that equal 16 to 20 hours of instruction, you�ll cover the entire process of creating Web graphics with Fireworks 8�from creating images to optimizing and exporting them. Simple step-by-step instructions, loads of screen
shots, and a CD with media files and a trial version of the program will have you creating rollovers, pop-ups, and more in no time. Whether you�re new to the world of Fireworks graphics or a veteran user eager to tap the power of the latest version, you�ll find the trusted, Macromedia-certified instruction you need in these pages.

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Over 300 productivity-enhancing secrets you need to know about
Illustrator CS. Fully illustrated, stand-alone tips reveal the hidden
features and productivity-enhancing tricks that allow you to accomplish
more in less time with Illustrator CS2. Easy-to-browse format lets you
find and apply information instantly and includes many tips and
techniques that focus on Illustrator CS2�s new features: Converting
bitmaps into vectors with Live Trace, Painting with the new Live Paint
tool, creating Custom Workspaces, and more.

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